CRAIG WILLIS (Producing Artistic Director) has been at the helm of Oregon Contemporary Theatre since 2003. Craig has an MFA in Directing and a PhD in Dramatic Literature/Theory from the University of Oregon. In 2008, he received an Oregon Arts Commission fellowship to train with Anne Bogart and SITI Company. Craig’s OCT directing credits include: Edward Albee's At Home at the Zoo, Lisa Kron and Jeanine Tesori's Fun Home, David Ives' Venus in Fur, Steve Yockey's Blackberry Winter, Jason Robert Brown's The Last Five Years, Aaron Posner's Stupid Fucking Bird, Nathan Alan Davis' Dontrell, Who Kissed the Sea, Edward Albee's Who's Afraid of Virginia Woolf?, Bruce Norris’ Clybourne Park, Nina Raine’s Tribes, Adam Gwon's Ordinary Days, Brian Yorkey and Tom Kitt’s Next To Normal, Robert Lopez, Jeff Marx, and Jeff Whitty’s Avenue Q, Geoffrey Nauffts’ Next Fall, Itamar Moses’ The Four of Us, Henrik Ibsen’s Hedda Gabler, Joe Calarco’s Shakespeare’s R & J, Martin McDonagh’s The Pillowman, Bertolt Brecht’s Mother Courage, Anton Chekhov’s The Seagull, Stephen Sondheim and John Weidman’s Assassins, Edward Albee’s The Goat, or Who is Sylvia?, David Auburn’s Proof and Thornton Wilder’s The Skin of Our Teeth. His scenic designs for OCT include: The Flick, Becky’s New Car, Ordinary Days, The Seagull and I Am My Own Wife. Email: Craig@octheatre.org
TARA WIBREW (Associate Producer) is a theatremaker who joined the Oregon Contemporary Theatre staff in 2013. She has a Masters in Arts Management from the University of Oregon and trained at NYU’s Tisch School of the Arts’ Atlantic Acting School. Select OCT credits include: direction of Middletown, Melancholy Play (#GoTeamAlmond), Vanya and Sonia and Masha and Spike, A Bright New Boise and August: Osage County; acting roles in The Flick, Shrimp & Gritts: She's Gone and boom; and costume design for The Real Thing and Next Fall. Other select directing credits include Treehouse (world premiere), Peter and the Starcatcher, The Pillowman and The Last Days of Judas Iscariot. In her spare time, Tara sings lead for Soul Restoration Project. She is a founding member of Operation Shadowbox and co-host of What The Musical, a podcast for musical theatre nerds and newbies. Email: Tara@octheatre.org
MARY WETHERBEE (Box Office Manager & Volunteer Coordinator) began her involvement with theatre in high school where she acted in several plays. She holds a BA from Penn State in Social Work. Mary’s acting credits at Oregon Contemporary Theatre include Life in the Theater and the Northwest Ten plays Paper is Dope and Savage & Strawberry. She has also performed monologues with Actors Table and is active in the Eugene Shakespeare Club and Reader’s Theater. Email: Mary@octheatre.org
DONNA NAPIER (Bookkeeper) brings over 30 years of accounting and financial management experience to her position at OCT. She is excited to assist in furthering OCT's mission to support positive change through its performances and programs. When she is not reconciling accounts, Donna enjoys running, dancing, and t'ai chi, as well as spending time with her family and friends. Email: Finance@octheatre.org
GABE CARLIN (Sound Engineer) joined the Oregon Contemporary Theatre staff in 2015 after receiving a BS in Theatre Arts from the University of Oregon. Gabe is the Executive Director of Brave Umbrella Productions, a new theatre company. Select OCT credits include: sound design for Successful Strategies, Marjorie Prime, Venus in Fur, Melancholy Play, The 39 Steps, Santaland Diaries, The Big Meal, Vanya and Sonia and Masha and Spike, Blackberry Winter, and The Last Five Years; lighting design for Who’s Afraid of Virginia Woolf?; and properties for The Flick, Melancholy Play, The Revolutionists, A Christmas Carol, and Silent Sky. Email: Gabe@octheatre.org
AMY DUNN (Master Carpenter) graduated from the University of Oregon with a BA in Theatre Arts and joined the staff of Oregon Contemporary Theatre shortly thereafter in August 2007. Select design credits include: Stop Kiss,Mud (University Theatre); The Sisters Rosensweig (VLT); King Lear (SPA); and Hello, Dolly! (Lane Summer Musical Theatre). Amy's OCT design credits include: Venus in Fur, Shrimp & Gritts: She's Gone, Rapture, Blister, Burn, A Bright New Boise, I and You, August: Osage County, boom, The Real Thing, The Pillowman, Memory House, Doubt: A Parable, The Clean House, Shipwrecked!, Speed-the-Plow, Hedda Gabler, and Circle Mirror Transformation.
JUSTIN FEIMSTER (Master Electrician) hails from south Georgia, where he graduated in 2009 with a BFA in Theatre with a Production emphasis from Valdosta State University. For a number of years after hanging his plank in Eugene, he was a Company Dancer and sometimes Stage Manager for Ballet Fantastique and still serves them as a Lighting Designer. He also quickly began working with Eugene’s IATSE Local 675 as a stagehand and electrican. Justin joined the crew of OCT in 2014 and designed lights for OCT’s premiere of Shrimp & Gritts: She’s Gone and the last three seasons of the Northwest 10 Festival. Email: Justin@octheatre.org
CHRISTLE O'NEILL (Production Stage Manager) is excited to be joining Oregon Contemporary Theatre this season. She has been highly involved in theatre since high school. Christle is a recent Theatre Arts graduate of the University of Oregon where she worked on many shows, including stage managing Picnic, The Left Hand of Darkness and Emperor of the Moon.
BENJAMIN SANDERS (Carpenter) is glad to be here for his third season as part of the team at the Oregon Contemporary Theatre! He grew up performing and building sets for shows at California’s Palo Alto Children’s Theatre and earned his BA in Theatre Arts with an emphasis in Design and Technology from SDSU. He returned to the S.F. Bay Area to work at the Children’s Theatre and also teach Theatre Tech at Foothill Community College. He has appeared onstage locally in: Rocky Horror Show as Brad, Jesus Christ Superstar as Jesus (ACE); Spamalot as Lancelot/Tim the Enchanter (VLT); Putting It Together as Man#2 (NRRP); Dirty Dishes as Alex (NW10); and Fun Home as Roy/Pete/Mark/Bobby Jeremy (OCT). Ben is grateful to be a part of such a welcoming and thriving theatre scene in the Eugene/Springfield area and here at the OCT! Please enjoy the show!
GARETH WARR (Venue Assistant) has been involved in technical theatre since an early age, including lighting, sound, projection, and props construction for Opera House Arts in Stonington, ME. He worked three years at the Collins Center for the Arts as a student supervisor. Gareth returned to Opera House Arts after graduation to serve as their Assistant Technical Director. Since his relocation to Oregon, he has worked with Oregon Contemporary Theatre and Eugene Ballet.