CRAIG WILLIS (Producing Artistic Director) has been at the helm of Oregon Contemporary Theatre since 2003. Craig has an MFA in Directing and a PhD in Dramatic Literature/Theory from the University of Oregon. In 2008, he received an Oregon Arts Commission fellowship to train with Anne Bogart and SITI Company. Craig’s OCT directing credits include: Edward Albee's At Home at the Zoo, Lisa Kron and Jeanine Tesori's Fun Home, David Ives' Venus in Fur, Steve Yockey's Blackberry Winter, Jason Robert Brown's The Last Five Years, Aaron Posner's Stupid Fucking Bird, Nathan Alan Davis' Dontrell, Who Kissed the Sea, Edward Albee's Who's Afraid of Virginia Woolf?, Bruce Norris’ Clybourne Park, Nina Raine’s Tribes, Adam Gwon's Ordinary Days, Brian Yorkey and Tom Kitt’s Next To Normal, Robert Lopez, Jeff Marx, and Jeff Whitty’s Avenue Q, Geoffrey Nauffts’ Next Fall, Itamar Moses’ The Four of Us, Henrik Ibsen’s Hedda Gabler, Joe Calarco’s Shakespeare’s R & J, Martin McDonagh’s The Pillowman, Bertolt Brecht’s Mother Courage, Anton Chekhov’s The Seagull, Stephen Sondheim and John Weidman’s Assassins, Edward Albee’s The Goat, or Who is Sylvia?, David Auburn’s Proof and Thornton Wilder’s The Skin of Our Teeth. His scenic designs for OCT include: The Flick, Becky’s New Car, Ordinary Days, The Seagull and I Am My Own Wife. Email: email@example.com
TARA WIBREW (Associate Producer) is a theatremaker who joined the Oregon Contemporary Theatre staff in 2013. She has a Masters in Arts Management from the University of Oregon and trained at NYU’s Tisch School of the Arts’ Atlantic Acting School. Select OCT credits include: direction of Damascus, Middletown, Melancholy Play (#GoTeamAlmond), Vanya and Sonia and Masha and Spike, A Bright New Boise and August: Osage County; and acting roles in The Cake, The Flick, Shrimp & Gritts: She's Gone and boom. Other select directing credits include Thom Pain (based on nothing), Treehouse (world premiere), Peter and the Starcatcher, The Pillowman and The Last Days of Judas Iscariot. In her spare time, Tara sings lead for Soul Restoration Project. She is a founding member of Operation Shadowbox and co-host of What The Musical, a podcast for musical theatre nerds and newbies. Email: firstname.lastname@example.org
AMY DUNN (Production Manager/Master Carpenter) graduated from the University of Oregon with a BA in Theatre Arts and joined the staff of Oregon Contemporary Theatre shortly thereafter in August 2007. Select design credits include: Stop Kiss,Mud (University Theatre); The Sisters Rosensweig (VLT); King Lear (SPA); and Hello, Dolly! (Lane Summer Musical Theatre). Amy's OCT design credits include: Miss Bennet: Christmas at Pemberley, Buried Child, Venus in Fur, Shrimp & Gritts: She's Gone, Rapture, Blister, Burn, A Bright New Boise, I and You, August: Osage County, boom, The Real Thing, The Pillowman, Memory House, Doubt: A Parable, The Clean House, Shipwrecked!, Speed-the-Plow, Hedda Gabler, and Circle Mirror Transformation.
MARY WETHERBEE (Box Office Manager/Volunteer Coordinator) began her involvement with theatre in high school where she acted in several plays. She holds a BA from Penn State in Social Work. Mary’s acting credits at Oregon Contemporary Theatre include Life in the Theater and the Northwest Ten plays Paper is Dope and Savage & Strawberry. She has also performed monologues with Actors Table and is active in the Eugene Shakespeare Club and Reader’s Theater. Email: email@example.com
JESSICA RUTH BAKER (Marketing & Communications Manager) is a Maryland native who moved to Oregon in 2015. She joined Oregon Contemporary Theatre in spring of 2019 after graduating from the University of Oregon with a Master’s degree in Nonprofit Management and a graduate certificate in Arts Management. She worked in Baltimore for several years after receiving her BFA in acting and BA in scenic/costume design from UMBC and served as the Technical Director for Glass Mind Theatre before moving to the West Coast. Eugene performances include: Department of Regrets (Northwest Ten); A Midsummer Night’s Dream (Free Shakespeare in the Park); and As You Like It (VLT). In her free time Jessica enjoys hiking with her husband Jon, reading, and gaming. Email: firstname.lastname@example.org
TYLER ANTHONY (Master Electrician) joined Oregon Contemporary Theatre in August 2019. He is a student of theatre arts and has been working with theatre production companies since 2012. Since moving to Eugene in 2017, he has been fortunate enough to work as a lighting designer (Lane Student Production Association, Operation Shadowbox), audio designer (SPA, CT), director (SPA) and set carpenter (SPA). Tyler is a stage electrician with IATSE Local 675 and 28 in Eugene and Portland. He is the production manager of Curtain Call for All, a local nonprofit theatre company.
CHRISTLE O'NEILL (Production Stage Manager) is excited to be returning to Oregon Contemporary Theatre again this season. She greatly enjoyed every show last season and cannot wait to see what another year brings! Christle is a recent Theatre Arts graduate of the University of Oregon where she worked on many shows, including stage managing Picnic, The Left Hand of Darkness and Emperor of the Moon.
BENJAMIN SANDERS (Carpenter) is glad to be here for his fourth season as part of the team at the Oregon Contemporary Theatre! He grew up performing and building sets for shows at California’s Palo Alto Children’s Theatre and earned his BA in Theatre Arts with an emphasis in Design and Technology from SDSU. He has appeared onstage locally in: Rocky Horror Show as Brad, Jesus Christ Superstar as Jesus (ACE); Spamalot as Lancelot/Tim the Enchanter (VLT); Shrimp & Gritts Part 2 as Breech (NRRP); Dirty Dishes as Alex (NW10); and Fun Home as Roy/Pete/Mark/Bobby Jeremy (OCT). Ben is grateful for the love and support of his wife Melissa and their kids Raj and Kai. He is glad to be a part of such a thriving theatre scene in the Eugene/Springfield area and here at OCT!
GARETH WARR (Venue Assistant) has been involved in technical theatre since an early age, including lighting, sound, projection, and props construction for Opera House Arts in Stonington, ME. He worked three years at the Collins Center for the Arts as a student supervisor. He returned to Opera House Arts after graduation to serve as their assistant technical director. Gareth has worked with Oregon Contemporary Theatre and Eugene Ballet since his relocation to Oregon in 2018.